Place, 2018
Place, 2018

14x9", oil and charcoal on panel

6'2" x 15.5 miles
6'2" x 15.5 miles

Risograph hung on pine bracket

Firmware, 2019
Firmware, 2019

Oil on panel

Approach Trail Loop (Pulled Out All The Stops), 2019
Approach Trail Loop (Pulled Out All The Stops), 2019

RISO prints and durational knitting

Hotwire, 2019
Hotwire, 2019

Silver leaf, ink, masonite, acrylic yarn

Surveyor, 2018
Surveyor, 2018

Oil, silver leaf, and National Geographic on panel

Foilage, 2018
Foilage, 2018

National Geographic, aluminum tape, oil on wood panel

Property Line I, 2018
Property Line I, 2018

2018, triptych of 6x6" oil, silver leaf, and National Geographic panels

Property Line I, "break from" 2018
Property Line I, "break from" 2018
 Property Line I, "her own work" 2018
 Property Line I, "her own work" 2018
Property Line I, "to help"
Property Line I, "to help"
Property Line II, 2018
Property Line II, 2018

As installed in the VAC in Another Green World

Durational finger-knittings from various hikes, collected sticks and property boundary markers

Property Line II, 2018
Property Line II, 2018

Installed in “Another Green World” at the Visual Arts Center, University of Texas at Austin

Property Line II, 2018
Property Line II, 2018

detail

Working on the Bug at Ivanpah, 2018
Working on the Bug at Ivanpah, 2018

36x48", oil on canvas

Goldenrod, 2016
Goldenrod, 2016

Aluminum tape on pigment print.

8.5 x 11"

Victoria, 2016
Victoria, 2016

Oil and National Geographic on paper,

44 x 34"

Din
Din

Oil, insects, National Geographic on canvas,

20 x 16"

"A.A. The Home State," Syntax/Sublimation/Off the Record, 2016
"A.A. The Home State," Syntax/Sublimation/Off the Record, 2016

10 x 6.875"

Subtractive Process, oil pastel on National Geographic

“Bee Among Flowers,” Syntax/Sublimation/Off the Record, 2015
“Bee Among Flowers,” Syntax/Sublimation/Off the Record, 2015

10 x 6.875"

Subtractive process, oil pastel on National Geographic

Syntax/Sublimation/Off the Record, "Flora Fortuna" 2016
Syntax/Sublimation/Off the Record, "Flora Fortuna" 2016

Subtractive process, oil pastel on National Geographic.

10 x 6.875

“The Continental Divide,” Enduring America, 2016
“The Continental Divide,” Enduring America, 2016

10 x 15"

Subtractive process, oil pastel on National Geographic

Syntax/Sublimation/Off the Record, "Admitting/Altitude," 2015
Syntax/Sublimation/Off the Record, "Admitting/Altitude," 2015

Oil pastel and subtractive process on National Geographic,

10 x 6.875"

"Pursuit," Enduring America
"Pursuit," Enduring America

10 x 15"

Subtractive process, oil pastel on National Geographic

"Mooring/Mordant," Syntax/Sublimation/Off the Record, 2015
"Mooring/Mordant," Syntax/Sublimation/Off the Record, 2015

10 x 6.875"

Subtractive process, oil pastel on National Geographic

An Aversion to Terra Firma, 2015
An Aversion to Terra Firma, 2015

 Subtractive process, National Geographic pages on reclaimed wood.

 28.75 x 9.25"

Famine and the Ninth, I, 2015
Famine and the Ninth, I, 2015

National Geographic pages with subtractive process on wood panel. 9 x 24"

Famine and the Ninth, II, 2015
Famine and the Ninth, II, 2015

National Geographic pages with subtractive process on wood panel. 9 x 24"

Syntax/Sublimation/Off the Record, "In Flames," 2015
Syntax/Sublimation/Off the Record, "In Flames," 2015

Oil pastel and subtractive process on National Geographic,

10 x 6.875"

Syntax/Sublimation/Off the Record, "Without Sugar-Coating," 2015
Syntax/Sublimation/Off the Record, "Without Sugar-Coating," 2015

Oil pastel and subtractive process on National Geographic,

10 x 6.875"

"Invasives," Enduring America, 2015
"Invasives," Enduring America, 2015

Oil pastel, pen, and subtractive process on National Geographic.

10 x 7"

"Pursuit," Enduring America, 2015
"Pursuit," Enduring America, 2015

Oil pastel and subtractive process on National Geographic pages.

10 x 14.5"

 

Place, 2018
6'2" x 15.5 miles
Firmware, 2019
Approach Trail Loop (Pulled Out All The Stops), 2019
Hotwire, 2019
Surveyor, 2018
Foilage, 2018
Property Line I, 2018
Property Line I, "break from" 2018
 Property Line I, "her own work" 2018
Property Line I, "to help"
Property Line II, 2018
Property Line II, 2018
Property Line II, 2018
Working on the Bug at Ivanpah, 2018
Goldenrod, 2016
Victoria, 2016
Din
"A.A. The Home State," Syntax/Sublimation/Off the Record, 2016
“Bee Among Flowers,” Syntax/Sublimation/Off the Record, 2015
Syntax/Sublimation/Off the Record, "Flora Fortuna" 2016
“The Continental Divide,” Enduring America, 2016
Syntax/Sublimation/Off the Record, "Admitting/Altitude," 2015
"Pursuit," Enduring America
"Mooring/Mordant," Syntax/Sublimation/Off the Record, 2015
An Aversion to Terra Firma, 2015
Famine and the Ninth, I, 2015
Famine and the Ninth, II, 2015
Syntax/Sublimation/Off the Record, "In Flames," 2015
Syntax/Sublimation/Off the Record, "Without Sugar-Coating," 2015
"Invasives," Enduring America, 2015
"Pursuit," Enduring America, 2015
Place, 2018

14x9", oil and charcoal on panel

6'2" x 15.5 miles

Risograph hung on pine bracket

Firmware, 2019

Oil on panel

Approach Trail Loop (Pulled Out All The Stops), 2019

RISO prints and durational knitting

Hotwire, 2019

Silver leaf, ink, masonite, acrylic yarn

Surveyor, 2018

Oil, silver leaf, and National Geographic on panel

Foilage, 2018

National Geographic, aluminum tape, oil on wood panel

Property Line I, 2018

2018, triptych of 6x6" oil, silver leaf, and National Geographic panels

Property Line I, "break from" 2018
 Property Line I, "her own work" 2018
Property Line I, "to help"
Property Line II, 2018

As installed in the VAC in Another Green World

Durational finger-knittings from various hikes, collected sticks and property boundary markers

Property Line II, 2018

Installed in “Another Green World” at the Visual Arts Center, University of Texas at Austin

Property Line II, 2018

detail

Working on the Bug at Ivanpah, 2018

36x48", oil on canvas

Goldenrod, 2016

Aluminum tape on pigment print.

8.5 x 11"

Victoria, 2016

Oil and National Geographic on paper,

44 x 34"

Din

Oil, insects, National Geographic on canvas,

20 x 16"

"A.A. The Home State," Syntax/Sublimation/Off the Record, 2016

10 x 6.875"

Subtractive Process, oil pastel on National Geographic

“Bee Among Flowers,” Syntax/Sublimation/Off the Record, 2015

10 x 6.875"

Subtractive process, oil pastel on National Geographic

Syntax/Sublimation/Off the Record, "Flora Fortuna" 2016

Subtractive process, oil pastel on National Geographic.

10 x 6.875

“The Continental Divide,” Enduring America, 2016

10 x 15"

Subtractive process, oil pastel on National Geographic

Syntax/Sublimation/Off the Record, "Admitting/Altitude," 2015

Oil pastel and subtractive process on National Geographic,

10 x 6.875"

"Pursuit," Enduring America

10 x 15"

Subtractive process, oil pastel on National Geographic

"Mooring/Mordant," Syntax/Sublimation/Off the Record, 2015

10 x 6.875"

Subtractive process, oil pastel on National Geographic

An Aversion to Terra Firma, 2015

 Subtractive process, National Geographic pages on reclaimed wood.

 28.75 x 9.25"

Famine and the Ninth, I, 2015

National Geographic pages with subtractive process on wood panel. 9 x 24"

Famine and the Ninth, II, 2015

National Geographic pages with subtractive process on wood panel. 9 x 24"

Syntax/Sublimation/Off the Record, "In Flames," 2015

Oil pastel and subtractive process on National Geographic,

10 x 6.875"

Syntax/Sublimation/Off the Record, "Without Sugar-Coating," 2015

Oil pastel and subtractive process on National Geographic,

10 x 6.875"

"Invasives," Enduring America, 2015

Oil pastel, pen, and subtractive process on National Geographic.

10 x 7"

"Pursuit," Enduring America, 2015

Oil pastel and subtractive process on National Geographic pages.

10 x 14.5"

 

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